Lessons A to Z

Lessons A to Z

A    B    C    D    E    F    G    H   I   J    K    L    M    N    O    P    Q    R    S    T    U    V    W    X Y Z   #  

A

Adding Chromaticism to Improvisation – Part 1

Adding Chromaticism to Improvisation – Part 2

Adding Color to Major Sounds

Adding Inner Movement to 4th Voicings

Altered Scale Improvisation – Part 1

Altered Scale Improvisation – Part 2

Altered Scale Improvisation – Part 3

B

Back to Basics Guitar Workshop – Part 1

Back to Basics Guitar Workshop – Part 2

Back to Basics Guitar Workshop – Part 3

Back to Basics Guitar Workshop – Part 4

Back to Basics Guitar Workshop – Part 5

Back to Basics Guitar Workshop – Part 6

Build Your Own Scales – Part 1

Build Your Own Scales – Part 2

Building Long Lines – Part 1

Building Long Lines – Part 2

C

Chord Etude – Modern Progressions – Part 1

Chord Etude – Modern Progressions – Part 2

Chord Etude / Chord Sustain

Chord Etude 2 Stella changes – Part 1

Chord Etude 2 Stella changes – Part 2

Chord Etude 2 Stella changes – Part 3

Chord Etude Solar

Chord Scales

Chordal Ear Training

Chordal Vocabulary – Altered Dominant

Chordal Vocabulary – Dom7#11

Chordal Vocabulary – Maj#5

Chordal Vocabulary – Maj7#11

Chordal Vocabulary – Minor Major 7

Chordal Vocabulary – Min7 Dorian

Chords with Moving Inner Voices

Chromatic Density Etude

Chromatic Improvisation – Part 1

Chromatic Improvisation – Part 2

Chromatic Patterns Course – Part 1

Chromatic Patterns Course – Part 2

Chromatic Patterns Course – Part 3

Chromatic Patterns Course – Part 4

Chromatic Patterns Course – Part 5

Chromatic Patterns Course – Part 6

Chromatic Patterns Course – Part 7

Chromatic Patterns Course – Part 8

Chromatic Scale Warm-Up

Comping Expansions 1 – Two Chords per Measure

Comping Expansions 2 – Chord Articulation

Comping F Blues

Comping with Inner Movement

Comping with Two Chords per Measure

Composition Course – Part 1

Composition Course – Part 2

Composition Course – Part 3

Composition Course – Part 4

Composition Course – Part 5

Composition Course – Part 6

Composition Course – Part 7

Composition Course – Part 8

Constant Fingering Scale Fragments

Creating Backing Tracks

D

Developing Your Personal Sound – Part 1

Developing Your Personal Sound – Part 2

Diminished Scale Arpeggio Concepts

Diminished Scale Chord Voicings

Diminished Scale Linear Concepts

Dorian Chord Scale

Doubled Note Fretboard Transitions

Doubled Note Pentatonic Fingering

Doubled Note Scale Fingerings – Part 1

Doubled Note Scale Fingerings – Part 2

Drop 2 and 4 Voicings

Dynamic Contrast

E

Expanding Chordal Vocabulary Course – Part 1

Expanding Chordal Vocabulary Course – Part 2

Expanding Chordal Vocabulary Course – Part 3

Expanding Chordal Vocabulary Course – Part 4

Expanding Chordal Vocabulary Course – Part 5

Expanding Chordal Vocabulary Course – Part 6

Expanding Chordal Vocabulary Course – Part 7

Expanding Chordal Vocabulary Course – Part 8

Expanding Diatonic Chord Knowledge

Expanding Triad Concepts – Part 1

Expanding Triad Concepts – Part 2

F

Finger Placement on the Fretboard

Fingerstyle Fundamentals

Four Essential Modern Voicings

Fretboard Visualization

Fretboard Visualization 2 Strings

H

Hammer on and Pull off technique

Harmonic Major

Harmonic Major – Part 2

Harmonic Major – Part 3

Harmonic Major – Part 4

Harmonic Scales

Harmonizing Melodies – Part 1

Harmonizing Melodies – Part 2

Harmonizing Melodies – Part 3

Harmonizing Melodies – Part 4

Hearing Scales

How Pick Angle Affects Tone

Hybrid Picking 212121 Arpeggios – Part 1

Hybrid Picking 212121 Arpeggios – Part 2

Hybrid Picking 4 Note Patterns – Part 1

Hybrid Picking 4 Note Patterns – Part 2

Hybrid Picking Essentials

Hybrid Picking Four Note Structures

Hybrid Picking Technique Builder

Hybrid Picking Spread Triads – Part 1

Hybrid Picking Spread Triads – Part 2

Hybrid Picking Triads – Part 1

Hybrid Picking Triads – Part 2

I

Improving Time Accuracy – Part 1

Improving Time Accuracy – Part 2

Improvising Over Chord Changes Course – Part 1

Improvising Over Chord Changes Course – Part 2

Improvising Over Chord Changes Course – Part 3

Improvising Over Chord Changes Course – Part 4

Improvising Over Chord Changes Course – Part 5

Improvising Over Chord Changes Course – Part 6

Improvising Over Chord Changes Course – Part 6 – Backing Track

Improvising Over Chord Changes Course – Part 7

Improvising Over Chord Changes Course – Part 8

Improvising Over Chord Changes Course – Part 9

Improvising with Triads – Part 1

Improvising with Triads – Part 2

Improvising with Triads Course – Part 1

Improvising with Triads Course – Part 2

Improvising with Triads Course – Part 3

Improvising with Triads Course – Part 4

Improvising with Triads Course – Part 5

Improvising with Triads Course – Part 6

Improvising with Triads Course – Part 7

Improvising with Triads Course – Part 8

Improvising with Triads Course – Part 9

Improvising with Triads Course – Part 10

Improvising with Triads Course – Part 11

Improvising with Triads Course – Part 12

Intervallic Chromatic Density Etude

Intervals Within Chord Voicings

J

Jazz Blues Course – Part 1

Jazz Blues Course – Part 2

Jazz Blues Course – Part 3

Jazz Blues Course – Part 4

Jazz Blues Course – Part 5

Jazz Blues Course – Part 6

Jazz Blues Course – Part 7

Jazz Blues Course – Part 8

L

Legato ii V I

Legato Blues

Legato Diminished

Legato Dorian

Legato Lydian

Legato Melodic Minor

Legato Minor Pentatonic

Legato Steps

Legato Technique

Line Etude “Stella” – Part 1

Line Etude “Stella” – Part 2

Line Etude All the Things

Line Etude Blues 212121 Arpeggios – Part 1

Line Etude Blues 212121 Arpeggios – Part 2

Line Etude Blues 3 Note Per String

Line Etude Blues Triad Arpeggios

Line Etude Maj7 Maj7#5 Arpeggios

Line Etude Solar – Part 1

Line Etude Solar – Part 2

Line of the Week

Linear Etude – Standard Changes

Linear Vocabulary – Part 1

Linear Vocabulary – Part 2

Linear Vocabulary – Part 3

Linear Vocabulary – Part 4

Linking Melodies to Chord Shapes

Linking Triad Shapes and Scales – Part 1

Linking Triad Shapes and Scales – Part 2

Listening Onstage

M

Maj7(#9)

Major 7 Arpeggio Improvisation – Part 1

Major 7 Arpeggio Improvisation – Part 2

Major No 4

Major7#5 Arpeggio Improvisation

Mastering the ii V I Progression Course – Part 1

Mastering the ii V I Progression Course – Part 2

Mastering the ii V I Progression Course – Part 3

Mastering the ii V I Progression Course – Part 4

Mastering the ii V I Progression Course – Part 5

Mastering the ii V I Progression Course – Part 6

Mastering the ii V I Progression Course – Part 7

Mastering the ii V I Progression Course – Part 8

Mastering the ii V I Progression Course – Part 9

Melodic Comping

Melodic Minor Chord Exercise

Melodic Minor Improvisation – Part 1

Melodic Minor Improvisation – Part 2

Melodic Minor Improvisation – Part 3

Melodic Minor Improvisation – Part 4

Melodic Minor Improvisation – Part 5

Melodic Minor Improvisation – Part 6

Melodic Minor Improvisation – Part 7

Melodic Minor Improvisation – Part 8

Melodic Minor Improvisation – Part 9

Melodic Minor Improvisation – Part 10

Melodic Minor Improvisation – Part 11

Melodic Minor Improvisation – Part 12

Melodic Minor Scale Fragment Improvisation

Melodic Phrases – Altered Dominant Sounds

Melodic Phrases – Chromatic Sounds

Melodic Phrases – Diminished Sounds

Melodic Phrases – Dom7 Sounds

Melodic Phrases – Major Sounds

Melodic Phrases – Dorian Minor Sounds

Modal Ear Training

Modal Vamps – Part 1

Modal Vamps – Part 2

Modal Vamps – Part 3

Modal Vamps – Part 4

Modern Comping Course – Part 1

Modern Comping Course – Part 2

Modern Comping Course – Part 3

Modern Comping Course – Part 4

Modern Comping Course – Part 5

Modern Comping Course – Part 6

Modern Comping Course – Part 7

Modern Comping Course – Part 8

Modern Comping Course – Part 9

Modern Comping Course – Part 10

Muting and Overdrive

O

Open String Voicings – Part 1

Open String Voicings – Part 2

Outside Improvisation – Part 1

Outside Improvisation – Part 2

Outside Improvisation – Part 3

Outside Improvisation – Part 4

P

Pentatonics Course – Part 1

Pentatonics Course – Part 2

Pentatonics Course – Part 3

Pentatonics Course – Part 4

Pentatonics Course – Part 5

Pentatonics Course – Part 6

Picking Strategies

Practicing Chord Inversions

Practicing Dynamic Accents

Practicing in 12 Keys

Practicing Triplets

Pull-Off Articulation

Q

Quartal Voicings

R

Rhythm Changes Course – Part 1

Rhythm Changes Course – Part 2

Rhythm Changes Course – Part 3

Rhythm Changes Course – Part 4

Rhythm Changes Course – Part 5

Rhythm Changes Course – Part 6

Rhythm Changes Course – Part 7

Rhythm Changes Course – Part 8

Rhythmic Motifs

Rhythm Workshop – Part 1

Rhythm Workshop – Part 2

Rhythm Workshop – Part 3

Rhythm Workshop – Part 4

Rhythm Workshop – Part 5

S

Scales in Different Directions

Scales with Suspensions

Single String Improvisation – Part 1

Single String Improvisation – Part 2

Skipped String Chordal Articulation

Skipped String Quartal Voicings

Spread Triads – All the Things

Spread Triads – Multiple Fingerings

Spread Triads – String Sets

Swing Feel Two Notes Per String

T

The Upper Register

Thematic Improvisation with Melodic Structures – Part 1

Thematic Improvisation with Melodic Structures – Part 2

Thematic Improvisation with Melodic Structures – Part 3

Three Note Per String Scales – Part 1

Three Note Per String Scales – Part 2

Transcribing – Part 1

Transcribing – Part 2

Triad Warm Up – Part 1

Triad Warm Up – Part 2

Triad Warm Up – Part 3

Triads – String Sets

Triads with Suspensions

Tritone Substitution

U

Uses of the Min7#5 Chord

V

Vibrato

Voice Leading Triads

Voicing Arpeggios – Part 1

Voicing Arpeggios – Part 2

W

Wide Interval Arpeggios – Part 1

Wide Interval Arpeggios – Part 2

Working on Technique – Part 1

Working on Technique – Part 2

#

ii V I Adjacent String Improvisation

II V I Pentatonics – Part 1

II V I Pentatonics – Part 2

2 Note Per String Linear Concept – Part 1

2 Note Per String Linear Concept – Part 2

2 Plus 3 Rhythmic Lines

212 Melodic Fragments – Part 1

212 Melodic Fragments – Part 2

212121 Arpeggios 9 Note Symmetrical Scale

212121 Arpeggios Diminished Scale

212121 Arpeggios Major Scale Modes – Part 1

212121 Arpeggios Major Scale Modes – Part 2

212121 Arpeggios Melodic Minor

212121 Arpeggios Minor Pentatonic

212121 Technique Builder

3 x 3 Intervallic Shapes

9 Note Symmetrical Scale

X

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